Space Diva Cello вЂ“ Josephine WiggsDrums вЂ“ Kate SchellenbachEngineer вЂ“ Alex KyriazsisEngineer вЂ“ Danny Madorsky, Phil Painson, Prince Strickland IIIGuitar, Backing Vocals вЂ“ Gabrielle GlaserProducer, Programmed By вЂ“ 25 TonProducer, Vocals, Bass, Guitar, Other вЂ“ Jill CunniffViolin вЂ“ Petra HadenWritten-By вЂ“ CunniffД«eloved Drums вЂ“ Kate SchellenbachProducer, Programmed By, Guitar, Piano вЂ“ Tony MangurianProducer, Vocals, Bass, Guitar вЂ“ Jill CunniffWritten-By вЂ“ CunniffД¬hristine Drums вЂ“ Kate SchellenbachProducer, Programmed By вЂ“ Tony MangurianProducer, Vocals, Guitar, Bass вЂ“ Jill CunniffSlide Guitar вЂ“ Daniel LanoisTurntables вЂ“ Alex Young Vocals вЂ“ N'Dea DavenportWritten-By вЂ“ Cunniff Ladyfingers Backing Vocals вЂ“ Emmylou HarrisProducer, Programmed By, Engineer, Keyboards вЂ“ Tony MangurianProducer, Vocals, Guitar, Bass вЂ“ Jill CunniffTalkbox вЂ“ G. Lightweight songwriting also suggests that Luscious Jackson may be running out of ideas, and it's hard to shake the impression that no matter how enjoyable certain parts of Electric Honey are, it finds the band treading water, not breaking new ground.Summer Daze Backing Vocals вЂ“ Tia SprocketBacking Vocals, Producer, Drum Programming вЂ“ Tony MangurianFlute вЂ“ Robert AaronProducer, Vocals, Guitar, Keyboards вЂ“ Gabrielle GlaserWritten-By вЂ“ GlaserДЇantastic Fabulous Drums вЂ“ Kate SchellenbachEngineer вЂ“ Juan GarciaGuest, Vocals вЂ“ Deborah HarryLead Guitar, Backing Vocals вЂ“ Gabrielle GlaserProducer, Engineer вЂ“ Tony ViscontiProducer, Vocals, Guitar, Bass вЂ“ Jill CunniffStrings вЂ“ Lisa HaneyTurntables вЂ“ Alex Young Written-By вЂ“ Cunniff Instead, the entire album is variations on a groove - breezy and enjoyable, to be sure, but nevertheless a little too lightweight to really take hold. The fluffiness of the songs wouldn't matter if each song had its own distinct feel. After that opening, Electric Honey doesn't begin to unravel as much as it settles into its own mire, recycling sounds familiar from its two predecessors, while offering slight songs about 'Summer Daze,' 'Sexy Hypnotist's, 'Friends,' 'Alien Lover's, and 'Space Diva's. On the surface, or as background music, it's quite pleasing, but it's never really compelling, especially since many of the songs are never really about anything - which is especially frustrating since the opening pair of 'Nervous Breakthrough' and 'Ladyfingers' are terrific continuations of Fever In. Somewhere along the way, Luscious Jackson smoothed out all their quirks and grit, shaping their sound into an appealingly funky, multilayered, post-alternative pop groove. This isn't necessarily a bad thing, since their albums always had strong rhythm, but Electric Honey tends to float away. Reversing course from the kaleidoscopic pop of Fever in Fever Out, Electric Honey finds Luscious Jackson narrowing their focus, concentrating more on groove and texture than full-fledged songs.

Space diva luscious jackson